The best movies of 2009, according to me
NewsIt’s been months since I’ve posted here. It’s easy to explain why: blogs are all but defunct now. With Facebook and Twitter, there’s no real reason to maintain a blog. Except if you’re doing something over 140 characters (a la Twitter) or don’t want to make your Facebook wall all Myspace-y with quizzes and giant status updates. That’s where this post comes in: it’s a list of what movies and TV I liked for 2009. Mostly posted because it’s Sunday, I’m drinking coffee, sitting at my computer, listening to The Walkmen, and am bored. But also because I was inspired by Mr. Stephen King in the most recent issue of Entertainment Weekly. Stephen King is easily the best columnist in EW, with Doc Jensen’s annoying TV column being second. Normally I’d include music and books too, but I didn’t do a lot of new-music searching this year, and I certainly didn’t read nearly as much to warrant any feedback on books this year (it would be one book long: The Lost Symbol, which I’m only about 5 chapters into anyway). So in the spirit of Mr. King, here’s my top movies & TV of 2009:
District 9: This is the only thing that Twitter has inspired me to check out. Yes, I get a lot of info off of Twitter, but it was solely because of the buzz generated on Twitter that I checked out this flick. Yes, Peter Jackson produced it (I like the Lord of the Rings trilogy, but I’m not so hooked to it that I’d follow the man blindly on anything he makes). So because of Twitter–and the numerous articles written about how popular the buzz was on Twitter–I actually got Rachael to go check out this movie with me. I was very, very surprised by how much I enjoyed this movie. I loved the impromptu acting, the pace was perfect, the special effects were awesome, and the story was great, making District 9 a very well-rounded movie. There’s the obvious parallel drawn between Apartheid and this movie (fuck, it’s filmed *in* South America), and it’s very intriguing. But it’s the documentary-style film-making, the fantastic spur-of-the-moment dialog, and great special effects that drew me into the movie. On top of all this, this movie is reason one of three as to WHY YOU SHOULD BY A BLU-RAY PLAYER.
Inglorious Basterds: Everyone who knows me, knows that I love Quentin Tarantino. I can quote the entire Pulp Fiction movie, and most of Reservoir Dogs. I can even throw in an obscure reference to Jackie Brown at times (a good movie, in it’s own right). So it’s a no-brainer that when this movie came out, I was going to see it. It’s easy to compare it to Pulp Fiction, and seems to me that doing so would not only bore the one or two people who read this, but also cheapen my loyalty to Tarantino. So I’ll just stick with what I like about the movie (and, essentially, most Tarantino movies): the long shots, the dialog (of course), the ratcheting drama between two characters just with a conversation, and the bloody good violence. Christopher Waltz as The Jew Hunter has a new special place in my heart as one of those bad guys who are so good you’re excited to see him on screen, regardless of what he stands for (you’ll find a lot of that in what I like, I guess). One of my favorite parts in the film is when–nevermind, I won’t ruin it for you, but let’s just say that when one of the protagonists is in France talking to Dr. Goebels (SP?) about a movie theater and when a special someone walks in, you’re heart will truly race for the next few minutes. This is my favorite film on the year, because I can watch it over and over again (I’ve watched it three times on BluRay already) without getting bored with it (kind of like Pulp Fiction, no?)
Public Enemies: I’ve always liked Michael Mann films for everything that’s said when there’s no dialog (come on, you can FEEL Tubb’s frustration on the way to the boat yard in the redo of Miami Vice, can’t you?). What he does with the camera is stupendous, and I always appreciate a good shot…similar to the opening scenes in the apple orchard of Public Enemies. I also like–suprise!–the high violence of a Michael Mann film. Probably the best since the street shoot-out of Heat is in this film, when the FBI raids a cabin in the Wisconsin woods, and Tommy guns run rampant. It’ll get your heart racing. Johnny Depp was also phenomenal–as he usually is–but Christian Bale is still only a “meh” actor in my book. Not sure why, but I can let it go, because he’s decent at his role. He just needs to decide on a dialect here.
Avatar: I really didn’t care for the story because it as way to predictable and only “meh,” but holy shit, the special effects. Skip this flick in 2D and prepare to have your mind blown in 3D. I kept taking off my 3D glasses just to see what real-life looked like again to prevent myself from letting the 3D world get “cheap.” The special effects along warrant a spot in my top flick of 2009, but acting and story line were only OK.
Terminator Salvation: In essence, a pretty bad movie. Special effects were awesome, but if you’re a Terminator franchise fan, then you’ll appreciate the flick as the first serious look into the world post-Judgement Day. Meh acting and a weak storyline, but very cool to see what’s going on with Skynet (our new robot overlords, for realsies) and how they are developed into what we saw in the first two Terminator movies. ANOTHER REASON TO OWN A BLURAY PLAYER. This flick’s sounds and special effects will rock your home theater.
